In this *anese name, the surname is Yanagi.

Yanagi Sōetsu (柳 宗悦, March 21, 1889 – May 3, 1961), also known as Yanagi Muneyoshi, was a *anese art critic, philosopher, and founder of the mingei (folk craft) movement in *an in the late 1920s and 1930s.

Contents

• 1 Personal life
• 2 Career
  • 2.1 Mingei theory
• 3 Legacy
• 4 References
• 5 External links

Personal life

Yanagi was born in 1889 to Yanagi Narayoshi, a Hydrographer of the Imperial Navy and Katsuko.

His son, Sori Yanagi, was a renowned industrial designer.

Career

In 1916, Yanagi made his first trip to Korea out of curiosity about Korean crafts. The trip led to the establishment of the Korean Folk Crafts Museum in 1924 and the coining of the term mingei by Yanagi, potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966).

His theory of the "beauty of sorrow" (悲哀の美) in Korean art has been said to have influenced the development of the Korean idea of han. Following the March First Movement, Korea's independence movement in which thousands of Koreans died at the hands of the *anese police and military, Yanagi wrote articles in 1919 and 1920, expressing sympathy for the Korean people and appreciation for Korean art.

In 1926, the Folk Art Movement was formally declared by Yanagi. He rescued lowly pots used by commoners in the Edo and Meiji periods that were disappearing in rapidly urbanizing *an. In 1936, the *anese Folk Crafts Museum (Nihon Mingeikan) was established.

He was also working together with Onta ware.

Mingei theory

The philosophical pillar of mingei is "hand-crafted art of ordinary people" (民衆的工芸, minshū-teki kōgei). Yanagi Sōetsu discovered beauty in everyday ordinary and utilitarian objects created by nameless and unknown craftsmen. According to Yanagi, utilitarian objects made by the common people are "beyond beauty and ugliness". Below are a few criteria of mingei art and crafts:

• made by anonymous crafts people
• produced by hand in quan*y
• inexpensive
• used by the m*es
• functional in daily life
• representative of the region in which it was produced.

Yanagi's book The Unknown Craftsman has become an influential work since its first release in English in 1972. It examines the *anese way of viewing and appreciating art and beauty in everyday crafts that include pottery, lacquer, textiles, and woodwork.

Yanagi was editor of Kōgei ('Crafts'), the journal of the *anese Folk Arts *ociation, issued between 1931 and 1951.

Legacy

In 1984, Yanagi was posthumously awarded the Bogwan Order of Cultural Merit, the first to be awarded to a non-Korean.

Yanagi was a considerable influence over the likes of potter Bernard Leach, sculptor Isamu Noguchi, and architect Bruno Taut.

References

• Yanagi, Soetsu (1989). The Unknown Craftsman: A *anese Insight into Beauty. New York: Kodansha International.
• Yanagi, Soetsu (2017). Soetsu Yanagi: Selected Essays on *anese Folk Crafts. Tokyo: *an Publishing Industry Foundation for Culture.
• Yanagi, Soetsu (2019). The Beauty of Everyday Things. London: Penguin. ISBN:9780241366356.

External links

• Nihon Mingeikan (*anese Folk Crafts Museum)