American composer and diarist (born 1923)

Ned Rorem (born October 23, 1923) is an American composer and diarist. He won a Pulitzer Prize for Music in 1976 for his Air Music: Ten Etudes for Orchestra.

Contents

• 1 Life
• 2 Selected works
  • 2.1 Operas
  • 2.2 Symphonies
    • 2.2.1 Symphony No. 1 (1950)
    • 2.2.2 Symphony No. 2 (1956)
    • 2.2.3 Symphony No. 3 (1958)
  • 2.3 Orchestral
  • 2.4 Chamber
  • 2.5 Vocal
  • 2.6 Selected songs
  • 2.7 Choral
  • 2.8 Solo instrumental
    • 2.8.1 Recent projects
• 3 Recordings
• 4 Awards
• 5 References
• 6 External links

Life

Rorem was born in Richmond, Indiana in 1923 as the son and second child of C. (Clarence) Rufus Rorem (1894–1988) and his wife, the former Gladys W. Miller, born in Illinois. They met and married in South Dakota in 1920, where Rufus Rorem was working for Goodyear Rubber. Ned Rorem had an older sister, Rosemary.

Rorem's family moved to Chicago, where Rufus worked for the American Hospital *ociation. Rorem showed an early interest in and talent for music. He received his early education at the University of Chicago Laboratory Schools and the American Conservatory of Music. He studied at Northwestern University before attending the Curtis Ins*ute in Philadelphia and the Juilliard School in New York City. Rorem was raised as a Quaker and refers to this in interviews in relation to his piece A Quaker Reader, which is based on Quaker texts.

In 1966 he published The Paris Diary of Ned Rorem. This was followed by Later Diaries 1951–1972 (1974) and The Nantucket Diary of Ned Rorem, 1973–1985 (1987). In them he is always candid, and open about his and other men's sexuality, describing his relationships with Leonard Bernstein, Noël Coward, Samuel Barber, and Virgil Thomson, and outing several others. Rorem also had a short affair with writer John Cheever.

Rorem has written extensively about music as well. These essays are collected in the anthologies Music from Inside Out (1967), Music and People (1968), Pure Contraption (1974), Setting the Tone (1983), Settling the Score (1988), and Other Entertainment (1996). His prose is much admired, not least for its barbed observations about such prominent musicians as composer and conductor Pierre Boulez. Rorem has composed in a chromatic tonal idiom throughout his career, and he is not hesitant to attack the orthodoxies of the avant-garde.

Rorem was the subject of a 2005 do*entary film, Ned Rorem: Word & Music.

His notable students include Daron Hagen and David Horne.

His life partner was organist James Roland Holmes (1939–1999).

Selected works

Operas

• A Childhood Miracle, 1951, opera in one act.
• The Robbers, (1956), a one-act opera.
• Miss Julie (1965)
• Hearing (1966–1976), opera in five scenes
• Bertha (1968), opera in one act.
• The Three Sisters Who Are Not Sisters (1968), three-act opera.
• Fables (1971), five very short operas to poems by Jean de la Fontaine. The five 'micro-operas' are:
  • The Animals Sick of the Plague
  • The Bird Wounded by an Arrow
  • The Fox and the Grapes
  • The Lion in Love
  • The Sun and the Frogs.
• Our Town (2005), first performed by the Indiana University Opera, Bloomington, in 2006. Subsequent performances have been given by the Show-Me Opera at the University of Missouri, Lake George Opera, Aspen Opera, Central City Opera, University of North Carolina School of the Arts, Festival Opera of Walnut Creek, The Catholic University of America, Juilliard Opera, Skylark Opera, Civic Opera of Kansas City, Raylynmor Opera Company, Tufts University, University of South Carolina University of North Texas, Shepherd School of Music, Baldwin–Wallace Conservatory of Music, University of Missouri, University of California, Irvine, and West Texas A&M University, among others.

Symphonies

Symphony No. 1 (1950)

The First symphony is cast in four fairly brief movements: I::Maestoso, II::Andantino, III::Largo, IV::Allegro; and is scored for full orchestra. Rorem has written of this work:

There are as many definitions of symphony as there are symphonies. In Haydn's day it usually meant an orchestral piece in four movements, of which the first was in so-called sonata form. But with Bach, and later with Beethoven through Stravinsky, Symphony means whatever the composer decides.

Symphony No. 2 (1956)

The Second Symphony is cast in 3:movements of unequal proportion; the 2nd & 3rd combined being less than half the length of the first; I::Broad, Moderate; II::Tranquillo; III::Allegro. The Second Symphony is probably the composer's least performed. Composed in 1956 it was only performed a handful of times and has remained dormant since 1959 until, as the composer puts it, "José Serebrier resurrected" it 43:years later.

Symphony No. 3 (1958)

The Third Symphony is cast in five movements: I::P*acaglia, II::Allegro molto vivace, III::Largo, IV::Andante, V::Allegro molto. It is perhaps the best known of Rorem's numbered symphonies, having been premiered by Leonard Bernstein and the New York Philharmonic at Carnegie Hall, April:1959. Three recordings have been issued over the years, though none but the most recent Naxos recording has remained in the catalogue for very long. Notable conductors of this work include: Maurice Abravanel, Leonard Bernstein, André Previn, and José Serebrier.

For the Naxos recording the composer noted:

Of the five movements the second movement was written first, the first movement was written next, then came the fourth movement, then the third movement; and the last – fifth – movement was indeed written 'at last'. Movement:I is a P*acaglia in C, a slow overture in the grand style. Movement:II was written originally for two pianos, eight years before the rest, and incorporated as the second movement of the symphony. It is a brisk and jazzy dance. Movement:III is a short, p*ionate page about somnambulism, full of dynamic contrast, and coming from afar. Movement:IV is a farewell to France. Movement:V is a long and fast Rondo – a concerto for orchestra all by itself.

Orchestral

• Piano Concerto No. 1 (1948), for piano & orchestra (withdrawn)
• From an Unknown Past (1950), for voice & orchestra
• Symphony No. 1 (1950)
• Piano Concerto No. 2 (1951), for piano & orchestra
• Design (1953)
• Poèmes pour la paix (1953–1956), for voice & string orchestra
• Symphony No. 2 (1956)
• Sinfonia (1957), for orchestral winds with optional timpani, percussion and piano/celeste
• Eagles (1958)
• Pilgrims (1958), for string orchestra
• Symphony No. 3 (1958)
• Ideas (1961), for chamber/youth orchestra
• Lions (A Dream) (1963), for jazz quartet & orchestra
• Sun (1966), for high voice & orchestra
• Water Music (1966), for clarinet, violin & orchestra
• Piano Concerto No. 3 (1969), for piano & orchestra
• Air Music (1974)
• *embly and Fall (1975), for oboe, trumpet, timpani, viola & orchestra
• A Quaker Reader (1976–1988), for chamber orchestra
• Sunday Morning (1977)
• Remembering Tommy (1979), for piano, cello & orchestra
• After Long Silence (1982), for voice, oboe & strings
• Violin Concerto (1984), for violin & orchestra
• Organ Concerto (1985), for organ & chamber orchestra
• String Symphony (1985), for string orchestra
• Frolic (1986)
• The Schuyler Songs (1987), for soprano & orchestra
• Fantasy and Polka (1989)
• Swords and Plowshares (1990), for four solo voices & orchestra
• Piano Concerto No. 4 (1991), for piano (left hand) & orchestra
• Concerto for English Horn (1991–1992), for English horn & orchestra
• Triptych (1992), for chamber orchestra
• More Than A Day (1995), for soprano/countertenor & chamber orchestra
• Waiting (1996)
• Double Concerto (1998), for violin, cello & orchestra
• Cello Concerto (2002), for cello & orchestra
• Flute Concerto (2002), for flute & orchestra
• Mallet Concerto (2003), for percussion & orchestra
• Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra
• Songs Old and New (2008), for soprano & orchestra

Chamber

• Concertino de Camera (1946), for harpsichord & small ensemble
• Mountain Song (1948), for flute/oboe/violin/cello & piano
• Violin Sonata (1948), for violin & piano
• Dance Suite (1949), for two pianos
• Sicilienne (1950), for two pianos
• Eleven Studies for Eleven Players (1959–1960), for large ensemble
• Trio (1960), for flute, cello & piano
• Lovers (1964), for harpsichord, oboe, cello & percussion
• Day Music (1971), for violin & piano
• Night Music (1972), for violin & piano
• Solemn Prelude (1973), for eleven br*
• Book of Hours (1975), for flute & harp
• Romeo and Juliet (1977), for flute & guitar
• Three Slow Pieces (1978), for cello & piano
• Whales, Weep Not! (1978), for flute & piano
• Winter Pages (1981), for clarinet, b*oon, violin, cello & piano
• Picnic on the Marne (1983), for alto saxophone & piano
• Dances (1984), for cello & piano
• Septet Scenes from Childhood (1984–1985), for oboe, horn, piano & string quartet
• The End of Summer (1985), for violin, clarinet & piano
• Bright Music (1987), for flute, two violins, cello & piano
• Fanfare and Flourish (1988), for two trumpets, two trombones & organ
• Diversions (1990), for br* quintet
• Spring Music (1990), for piano trio
• String Quartet No. 3 (1991)
• Songs of Sadness (1994), for voice, guitar, cello & clarinet
• String Quartet No. 4 (1994)
• Six Variations (1995), for two pianos – four hands
• Autumn Music (1996–1997), for violin & piano
• An Oboe Book (1999), for oboe & piano
• Cries and Whispers (2000), for trumpet & piano
• Nine Episodes for Four Players (2001), for clarinet, violin, cello & piano
• United States – Seven Viewpoints (2001), for string quartet
• Pas de Trois (2002), for oboe, violin & piano
• The Unquestioned Answer (2002), for flute, two violins, cello & piano
• Four Colours (2003), for clarinet & piano
• Yesterday, Today and Tomorrow (2004), for piano quartet
• Four Prayers (2006), for flute & piano
• Nocturne (2007), for double b* & piano
• A Little Fantasy (2008), for cello & piano

Vocal

• Two Poems of Edith Sitwell (1948), for medium-high voice & piano
• Requiem (1948), for voice & piano
• From an Unknown Past (1950), for voice & piano/orchestra
• Cycle of Holy Songs (1951), for voice & piano
• Flight for Heaven (1952), song-cycle for voice & piano
• Four Dialogues (1953–1954), for soprano, tenor, & two pianos
• Three Poems for Demetrios Capetanakis (1954), for voice & piano
• Poèmes pour la paix (1953–1956), for medium voice & strings
• Five Poems of Walt Whitman (1957), for voice & piano
• Two Poems of Theodore Roethke (1959) for voice & piano
• King Midas (1961), cantata for voice(s) & piano
• Four Poems of Tennyson (1963), for voice & piano
• Poems of Love and the Rain (1963), song-cycle for mezzo-soprano & piano
• Sun (1966), for high voice & orchestra
• Some Trees (1968), for soprano, mezzo-soprano, b*-baritone, & piano
• War Scenes (1969), for medium-low voice & piano
• Gloria (1970), for two solo voices & piano
• Ariel (1971), for soprano, clarinet & piano
• Last Poems of Wallace Stevens (1971–1972), for voice, cello, & piano
• Serenade on Five English Poems (1975), for mezzo-soprano, violin, viola, & piano
• Women's Voices (1975–1976), for soprano & piano (commissioned by Joyce Mathis)
• Santa Fe Songs (1980), for baritone, string trio, & piano
• After Long Silence (1982), for soprano, oboe, & strings
• Three Calamus Poems (1982), for baritone & piano
• The Schuyler Songs (1987), for soprano & orchestra
• The Auden Poems (1989), for tenor & piano trio
• Swords and Plowshares (1990), for solo voices & orchestra
• My Sad Captains (1995), for soprano, alto, tenor, b*, & piano
• Evidence of Things Not Seen (1997), thirty-six songs for soprano, alto, tenor, baritone, & piano
• Another Sleep (2000), song-cycle for medium voice & piano
• Two Sermons (2001), for voice, clarinet, violin, double b* & piano
• Aftermath (2001–02), song-cycle for baritone, violin, cello, & piano
• Sound the Flute (2004), for high voice, recorder & piano
• Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra
• Three Poems of Edna St. Vincent Millay (2007), for voice & piano
• Songs Old and New (2008), for soprano & orchestra
• Four Sonnets of Shakespeare (2008), for tenor & piano
• Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano

Selected songs

• "Alleluia" (1946)
• "Spring and Fall" (1946)
• "Spring" (1947)
• "Stopping by Woods on a Snowy Evening" (1947)
• "The Lordly Hudson" (1947)
• "Echo's Song" (1948)
• "Little Elegy" (1949)
• "Rain in Spring" (1949)
• "The Silver Swan" (1949)
• "The Sleeping Palace" (1949)
• "What If Some Little Pain" (1949)
• "Julia's Clothes" (1950)
• "Lullaby of the Woman of the Mountain" (1950)
• "To the Willow Tree" (1950)
• "Love in a Life" (1951)
• "O Do Not Love Too Long" (1951)
• "The Call" (1951)
• "The Nightingale" (1951)
• "To a Young Girl" (1951)
• "A Christmas Carol" (1952)
• "Clouds" (1953)
• "Cradle Song" (1953)
• "For Susan" (1953)
• "In a Gondola" (1953)
• "Love" (1953)
• "Ode" (1953)
• "Pippa's Song" (1953)
• "Sally's Smile" (1953)
• "Song for a Girl" (1953)
• "The Tulip Tree" (1953)
• "The Midnight Sun" (1953)
• "Early in the Morning" (1954)
• "Youth, Day, Old Age and Night" (1954)
• "I Am Rose" (1955)
• "I Will Always Love You" (1955)
• "See How They Love Me" (1956)
• "What Sparks and Wiry Cries" (1956)
• "Conversation" (1957)
• "Gliding O'er All" (1957)
• "Gods" (1957)
• "Look Down, Fair Moon" (1957)
• "O You to Whom I Often and Silently Come" (1957)
• "Reconciliation" (1957)
• "Sometimes With One I Love" (1957)
• "Such Beauty as Hurts to Behold" (1957)
• "To You" (1957)
• "Visits to St. Elizabeth's" (1957)
• "I Strolled Across an Open Field" (1959)
• "Memory" (1959)
• "My Papa's Waltz" (1959)
• "Night Crow" (1959)
• "Orchids" (1959)
• "Root Cellar" (1959)
• "Snake" (1959)
• "The Waking" (1959)
• "Do I love you more than a day?" (1962)
• "Ask Me No More" (1963)
• "Far-Far-Away" (1963)
• "For Poulenc" (1963)
• "Now Sleeps the Crimson Petal" (1963)
• "The Sleeping Palace" (1963)
• "That Shadow, My Likeness" (1963)
• "To You" (1970)
• "Trickle Drops" (1970)
• "The Serpent" (1972)
• "We Never Said Farewell" (1975–76)
• "A Journey" (1976)
• "Ferry me across the water" (1978)
• "From When Cometh Song?" (1978)
• "The Dance" (1978)
• "Nantucket" (1978–79)
• "Go, Lovely Rose" (1979)
• "The Dancer" (1979)
• "Up-Hill" (1979)
• "Back to Life" (1980)
• "Sonnet" (1980)
• "The Sowers" (1980)
• "The Wintry Mind" (1980)
• "Let's Take a Walk" (1981)
• "Anna la Bonne" (1989)
• "Are You the New Person?" (1989)
• "Full of Life Now" (1989)
• "I Will Always Love You" (1990)
• "A Dream of Nightingales" (1992)
• "Their Lonely Betters" (1992)
• "Somewhere..." (1994)
• "Three Women" (1994)
• "Remembrance of Things Past" (1998)
• "Chromatic Fantasy" (2001)
• "He Will Not Hear" (2001)
• "I Never Knew" (2001)
• "The End" (2003)
• "While Sodom Was Occupied" (2004)
• "The Stars Have Not Dealt" (2007)
• "A Poison Tree" (2007)
• "Death and the Young Man" (2007)
• "Wild Nights" (2007)

Choral

• The Seventieth Psalm (1943), for S.A.T.B. choir & wind ensemble
• A Sermon on Miracles (1947), for soprano solo, unison choir & strings
• Four Madrigals (1947), for a cappella S.A.T.B. choir
• Three Incantations from a Marionette Tale (1948), for unison choir & piano
• From an Unknown Past (1950), for S.A.T.B. choir & orchestra
• I Feel Death... (1953), for three-part a cappella male choir
• The Poets' Requiem (1954–55), soprano solo, S.A.T.B. choir & orchestra
• All Glorious God (1955), for a cappella S.A.T.B. choir
• Sing, My Soul, His Wondrous Love (1955), for a cappella S.A.T.B. choir
• Miracles of Christmas (1959), for S.A.T.B. choir & organ
• Prayers and Responses (1960), for a cappella S.A.T.B. choir
• Virelai (1961), for a cappella S.A.T.B. choir
• Two Psalms and a Proverb (1962), for S.A.T.B. choir & string quartet
• Lift up your Heads (The Ascension) (1963), for S.A.T.B. choir, eight wind, nine br* & timpani
• Laudemus Tempus Actum (1964), for S.A.T.B. choir & orchestra
• Letters from Paris (1966), for S.A.T.B. choir & orchestra
• Love Divine, All Loves Excelling (1966), for a cappella S.A.T.B. choir
• Proper for the Votive M* of the Holy Spirit (1966), for unison choir & organ
• Truth in the Night Season (1966), for S.A.T.B. choir & organ
• He Shall Rule from Sea to Sea (1967), for S.A.T.B. choir & organ
• Praises for the Nativity (1970), for soprano, alto, tenor & b* soli, S.A.T.B. choir & organ
• Canticle of the Lamb (1971), for a cappella S.A.T.B. choir
• Canticles: Sets 1 & 2 (1971–72), for a cappella S.A.T.B. choir
• Four Hymns (1973), for S.A.T.B. choir & keyboard
• In Time of Pestilence (1973), for a cappella S.A.T.B. choir
• Little Prayers (1973), for soprano & baritone soli, S.A.T.B. choir & orchestra
• Missa Brevis (1973), for soprano, alto, tenor & b* soli, & S.A.T.B. choir
• Prayer to Jesus (1973), for a cappella S.A.T.B. choir
• Three Motets (1973), for S.A.T.B. choir & organ
• Three Prayers (1973), for a cappella S.A.T.B. choir
• Surge Illuminare (1977), for S.A.T.B. choir & organ
• Three Choruses for Christmas (1978), for a cappella S.A.T.B. choir
• Give All to Love (1981), for two-part choir & piano
• Little Lamb, Who Made Thee? (1982), for S.A.T.B. choir & organ
• Praise the Lord, O My Soul (1982), for S.A.T.B. choir & organ
• An American Oratorio (1983), for tenor solo, S.A.T.B. choir & orchestra
• Mercy and Truth Are Met (1983), for S.A.T.B. choir & organ
• Whitman Cantata (1983), for S.A.T.B. choir, br* ensemble & timpani
• Pilgrim Strangers (1984), for six a cappella male voices
• Before the Morning Star (1986), for a cappella S.A.T.B. choir
• Homer (1986), for S.A.T.B. choir & ensemble
• Seven Motets for the Church Year (1986), for a cappella S.A.T.B. choir
• Three Poems of Baudelaire (1986), for a cappella S.A.T.B. choir
• Te Deum (1986–87), for S.A.T.B. choir, two trumpets, two trombones & organ
• Five Armenian Love Songs (1987), for a cappella S.A.T.B. choir
• The Death of Moses (1987), for S.A.T.B. choir & organ
• What is Pink? (1987), for treble choir & piano
• Goodbye My Fancy (1988), for alto & baritone soli, S.A.T.B. choir & orchestra
• Lead Kindly Light (1988), for a cappella S.A.T.B. choir
• Breathe On Me (1989), for a cappella S.A.T.B. choir
• Love Alone (1989), for male-voice choir & piano duet
• Christ is Made the Sure Foundation (1992), for S.A.T.B. choir & organ
• Festival Alleluia (1992), for a cappella S.A.T.B. choir
• O God, My Heart is Ready (1992), for S.A.T.B. choir & organ
• Spirit Divine (1992), for S.A.T.B. choir & organ
• Present Laughter (1993), for S.A.T.B. choir, br* quintet & piano
• How Lovely is your Dwelling Place (1994), for S.A.T.B. choir & piano/organ
• Exaltabo Te, Domine (1995), for S.A.T.B. choir & keyboard
• Four Introits (1999), for S.A.T.B. choir & keyboard
• We Are the Music Makers (2003), for S.A.T.B. choir & piano
• A Song of Hosea (2005), for S.A.T.B. choir & organ
• Four Sonnets (2005), for S.A.T.B. choir & piano
• Ode to Man (2005), for a cappella S.A.T.B. choir
• Afternoon on a Hill (2006), for two-part children's choir & piano
• Two Shakespearean Poems (2008), for S.A.T.B. choir & piano

Solo instrumental

• Fantasy and Toccata (1946), for organ
• Sonata No. 1 (1948), for piano
• A Quiet Afternoon (1948), for piano
• Barcarolles (1949), for piano
• Pastorale (1949), for organ
• Sonata No. 2 (1949), for piano
• Sonata No. 3 (1954), for piano
• Spiders (1968), for harpsichord
• Eight Etudes (1975), for piano
• A Quaker Reader (1976), for organ
• Sky Music (1976), for harp
• After Reading Shakespeare (1980), for cello
• Suite (1980), for guitar
• Views from the Oldest House (1981), for organ
• Song and Dance (1986), for piano
• For Shirley (1989), for piano duet
• Organbook I. (1989), for organ
• Organbook II. (1989), for organ
• Organbook III. (1989), for organ
• Six Pieces (1997), for organ
• 99 Notes for the Millenium (1999), for piano
• For Ben (1999), for piano
• Recalling (2003), for piano
• Soundpoints (2003), for piano
• For Barbara (2006), for piano
• For Don (2006), for piano
• For Marian (2006), for piano
• For Mary (2006), for piano
• For Rosemary (2006), for piano
• 75 Notes for Jerry (2007), for piano
• Recalling Nadia (2014), for organ

Recent projects

In an October 2008 interview, Rorem referred to a new saxophone concerto for Branford Marsalis. In 2010, he was commissioned to write a piece for clarinet, cello and piano for clarinetist Thomas Piercy. He composed Four Sonnets of Shakespeare for tenor Andrew Kennedy, which premièred at Wigmore Hall, London on September 27, 2009, and a song-cycle, Songs Old and New, written in 2008 for soprano Mary Wilson and premièred by Wilson and the IRIS Chamber Orchestra under Michael Stern in November 2009.

Recordings

Rorem's works have been extensively recorded. The information below is very scant. For more information, please consult Rorem's own official website in the External Links (below).

• Songs of Ned Rorem Susan Graham (mezzo) Malcolm Martineau (piano) Rorem's settings of poems by Paul Goodman, Theodore Roethke, Witter Bynner, Tennyson, Walt Whitman, and others. Erato 80222
• Songs of Ned Rorem with Charles Bressler (tenor) Phyllis Curtin (soprano) Gianna D'Angelo (soprano) Donald Gramm (b*) Regina Sarfaty (mezzo-soprano) Accompanied at the piano by the composer
• Three Symphonies José Serebrier, Bournemouth Symphony Orchestra. Naxos Records 8.559149
• "Gotham Ensemble Plays Ned Rorem" Thomas Piercy, clarinet, Rolf Shulte, violin, Judith Olson, piano, Angelina Réaux, soprano, Humbert Lucarelli, oboe, Delores Stevens, piano. Ned Rorem: Gotham Ensemble (music CD). Albany Records.
• Day Music, Jaime Laredo (violin), Ruth Laredo (piano); Night Music: Earl Carlyss (violin), Ann Schein (piano). CD, Phoenix USA PHCD123, 1991

Awards

• 1951 – Fulbright Fellowship
• 1957 – Guggenheim Fellowship
• 1968 – Award from the National Ins*ute of Arts and Letters
• 1976 – Pulitzer Prize for Music recognizing his suite Air Music: Ten Etudes of Orchestra, first performed in Cincinnati, December 5, 1975
• 1998 – Musical America Composer of the Year
• 2003 – ASCAP’s Lifetime Achievement Award
• 2004 – Chevalier de l'Ordre des Arts et des Lettres
• 2003 – Chevalier de la Legion d'honneur

References

External links

• The official Ned Rorem website
• Ned Rorem @ Boosey & Hawkes
• McClatchy, J.D. (Spring 1999). "Ned Rorem, The Art of the Diary No. 1". The Paris Review.
• Charles Amirkhanian and Fleur Paysour interview Ned Rorem, Nov. 16, 1987
• Ned Rorem (13 March 2006). "Ned Rorem at Home". NewMusicBox (Interview). Interviewed by Oteri, F.J. (published 1 May 2006). (includes video)
• Songs of Ned Rorem
• "Ned Rorem collection, 1935–2006". Washington, DC: Library of Congress.
• Interview with Ned Rorem, 24 April 1986
• Ned Rorem at Library of Congress Authorities, with 325 catalog records