American journalist

Brendan Gill (October 4, 1914 – December 27, 1997) was an American journalist. He wrote for The New Yorker for more than 60 years. Gill also contributed film criticism for Film Comment and wrote a popular book about his time at the New Yorker magazine.

Contents

• 1 Biography
• 2 Death
• 3 Legacy
• 4 Offices held
• 5 Works
  • 5.1 Books
  • 5.2 Articles
• 6 References
• 7 External links

Biography

Born in Hartford, Connecticut, Gill attended the Kingswood-Oxford School before graduating in 1936 from Yale University, where he was a member of Skull and Bones, along with John Hersey.: 127  He was a long-time resident of Bronxville, New York, and Norfolk, Connecticut.

In 1936, St. Clair McKelway, editor of The New Yorker, hired Gill as a writer. One of the publication's few writers to serve under its first four editors, he wrote more than 1,200 pieces for the magazine. These included Profiles, Talk of the Town features, and scores of reviews of Broadway and Off-Broadway theater productions.

In 1949, Gill published a negative critique of John O'Hara's novel A Rage to Live. Gill described his colleague's book as "a formula family novel" turned out by "writers of the third and fourth magnitude in such disheartening abundance" and declared it "a catastrophe" by an author who "plainly intended to write nothing less than a great American novel." One recent critic called Gill's review a "savage attack" and a "cruel hatchet job." "During the preceding two decades O'Hara had been The New Yorker's most prolific contributor of stories" (197 by one count). Thereafter, O'Hara wrote nothing for the magazine for more than a decade.

In his memoir, Gill wrote that James Thurber — whom he described as an "incomparable mischief-maker" — compounded the animosity by falsely informing O'Hara that the review had been written by Wolcott Gibbs. "Thurber was never so happy as when he could cause two old friends to have a falling-out," Gill wrote. "With a single bold lie ... Thurber had ensured that O'Hara would see me as a jackal, willing to let my name be used for nefarious purposes ... and ... that Gibbs and O'Hara would quarrel." At a forum on O'Hara's legacy held in 1996, Gill stood up in the crowd to recall his attack on O'Hara nearly 50 years before, and claimed, "I had to tell the truth about the novel." In the end he expressed regret: "I am sorry now for that review ... not because of what it said, but because it provided Thurber with the opportunity to make our relationship come to nothing. We were not likely to have become close friends, but we need not have become enemies."

As The New Yorker's main architecture critic from 1987 to 1996, Gill was a successor to Lewis Mumford as the author of the long-running "Skyline" column before Paul Goldberger took his place. A champion of architectural preservation and other visual arts, Gill joined Jacqueline Kennedy's coalition to preserve and restore New York's Grand Central Terminal. He also chaired the Andy Warhol Foundation for the Visual Arts and aut*d 15 books, including Here at The New Yorker and the iconoclastic Frank Lloyd Wright biography Many Masks.

Death

Brendan Gill died of natural causes in 1997, at the age of 83. In a New Yorker "Postscript" following Gill's death, John Updike described him as “avidly alert to the power of art in general.”

Legacy

Gill's son, Michael Gates Gill, is the author of How Starbucks Saved My Life: A Son of Privilege Learns to Live Like Everyone Else. His youngest son, Charles Gill, is the author of the novel The Boozer Challenge.

Offices held

• Chairman of the Andy Warhol Foundation for the Visual Arts
• Chairman of the Municipal Art Society
• Chairman of the New York Landmarks Conservancy
• Vice President of the American Academy of Arts and Letters

Works

Books

• The Day the Money Stopped (1957)
• The Trouble of One House (1951)
• Fair Land to Build in: The Architecture of the Empire State (1984)
• The Dream Come True: Great Houses of Los Angeles (1980)
• Lindbergh Alone - May 21, 1927 (1980)
• Summer Places (with Dudley Whitney Hill) (1978)
• Ways of Loving (short stories) (1974).
• Tallulah (Tallulah Bankhead biography) (1972)
• Cole Porter (Cole Porter biography) (1972)
• New York Life: Of Friends and Others
• The introduction to Portable Dorothy Parker (Dorothy Parker collection of her stories & columns) (1972)
• Late Bloomers
• Here at The New Yorker (1975)
• Biographical essay as introduction to “States of Grace: Eight Plays by Philip Barry” (1975)
• Many Masks: A Life of Frank Lloyd Wright (1987)

Articles

• Gill, Brendan (15 January 1949). "The Talk of the Town: Runaway". The New Yorker. Vol.:24, no.:47. pp.:22–23. I Can Hear it Now - album of speeches and news broadcasts, 1932-45 (with Spencer Klaw).
• Gill, Brendan (4 February 1950). "The Talk of the Town: The Wildest People". The New Yorker. Vol.:25, no.:50. pp.:21–22. Transit Radio, Inc.
• Gill, Brendan (4 February 1950). "The Talk of the Town: Improvisation". The New Yorker. Vol.:25, no.:50. p.:25. Hiding telephone lines in the ivy at Princeton (with M. Galt).
• Gill, Brendan (14 January 1985). "The Theatre: The Ignominy of Boyhood". The New Yorker. Vol.:60, no.:48. pp.:108–110. Reviews Bill C. Davis' "Dancing in the End Zone", James Duff's "Home Front" and Rodgers and Hammerstein's "The King and I".
• Gill, Brendan (28 January 1985). "The Talk of the Town: Notes and Comment". The New Yorker. Vol.:60, no.:50. pp.:19–20. West 44th Street development.

References

External links

• Encyclopædia Britannica entry
• Brendan Gill Papers. Yale Collection of American Literature, Beinecke Rare Book and M*cript Library.