Palestinian film director

Elia Suleiman (Arabic: إيليا سليمان, IPA::; born 28 July 1960) is a Palestinian film director and actor of Rûm Greek Orthodox origin. He is best known for the 2002 film Divine Intervention (Arabic: يد إلهية), a modern tragic comedy on living under occupation in Palestine which won the Jury Prize at the 2002 Cannes Film Festival. Elia Suleiman's cinematic style is often compared to that of Jacques Tati and Buster Keaton, for its poetic interplay between "burlesque and sobriety". He is married to Lebanese singer and actress Yasmine Hamdan.

Contents

• 1 Life and career
  • 1.1 Early work
  • 1.2 Pedagogical work
  • 1.3 Feature films
  • 1.4 Other film work
• 2 Filmography
  • 2.1 Feature films
  • 2.2 Short films
  • 2.3 Do*entary films
• 3 See also
• 4 Notes
• 5 Further reading
• 6 External links

Life and career

Early work

Between 1982–1993, Suleiman lived in New York City, where he co-directed: Introduction to the End of an Argument (1990) and directed Homage by **ination, that both won numerous awards.

An experimental video film, co-directed by Jayce Salloum, Introduction to the End of an Argument critiqued the portrayal of Arabs in Western media and its effect on foreign policy by juxtaposing clips from Hollywood films, television broadcasts and cartoons with live scenes (shot by Salloum) from the West Bank, and the Gaza Strip.

Homage by **ination is a "diary film" that critiques the 1991 Gulf War via the juxtaposition of multilayered personal anecdotes and iden*y. The film offers a lucid portrait of what Ella Shohat and Robert Stam have termed "cultural disembodiment," manifested in "multiple failures of communication," that reflect the contradictions of a "diasporic subject.": 24 

Pedagogical work

In 1994, Suleiman moved to Jerusalem and began teaching at Birzeit University in the West Bank. He was entrusted with the task of developing a Film and Media Department at the university with funding support from the European Commission. In 2008 Elia Suleiman became a professor at the European Graduate School in Saas-Fee. He continues to guest lecture in other universities around the world.

Feature films

In 1996, Suleiman directed Chronicle of a Disappearance, his first feature film. It won the Best First Film Prize at the 1996 Venice Film Festival.

In 2002, Suleiman's second feature film, Divine Intervention, sub*led, A Chronicle of Love and Pain, won the Jury Prize at the 2002 Cannes Film Festival and the International Critics Prize (FIPRESCI), also receiving the Best Foreign Film Prize at the European Awards in Rome.

The third film in his trilogy is called The Time That Remains, which competed in the 2009 Cannes Film Festival. Suleiman won the Black Pearl prize for best Middle Eastern narrative film at the Middle Eastern Film Festival in Abu Dhabi on 17 October 2009. The film won the Critics' Prize from the Argentinean Film Critics *ociation at Mar del Plata International Film Festival.

His latest film, It Must Be Heaven, competed in the 2019 Cannes Film Festival and had its North American premiere at the 2019 Toronto International Film Festival.

Other film work

In his 1998 film, The Arab Dream ("Al Hilm Al-Arabi") Suleiman autobiographically explores issues of iden*y, expressing that: "I don't have a homeland to say I live in exile... I live in postmortem... daily life, daily death." Suleiman also produced a short film in 1997, en*led War and Peace in Vesoul.

In 2000, Suleiman released the 15-minute short film "Cyber Palestine" which follows a modern-day Mary and Joseph as they attempt to cross from Gaza into Bethlehem.: 78–79  Suleiman was part of the nine person jury for the 2006 Cannes Film Festival.

Filmography

Feature films

• Chronicle of a Disappearance (1996)
• Divine Intervention (2002)
• The Time That Remains (2009)
• It Must Be Heaven (2019)

Short films

• "Homage by **ination" (1993), The Gulf War... What Next?
• "The Arab Dream" (1998)
• "Cyber Palestine" (2000)
• "Awkward" (2007), To Each His Own Cinema
• "Diary of a Beginner" (2012), 7 Days in Havana

Do*entary films

• Introduction to the End of an Argument (1990) (Co-directed by Jayce Salloum)

See also

• Palestinian Christians

Notes

Further reading

• Tanya Shilina-Conte, "Imaginal Border Crossings and Silence as Negative Mimesis in Elia Suleiman's Divine Intervention." In Border Visions: Iden*y and Diaspora in Film, edited by Jakub Kazecki, Karen A. Ritzenhoff, Cynthia J. Miller. Scarecrow Press, 2013, p. 3-21, ISBN:9780810890510.
• Gertz, Nurith; Khleifi, George (2008): Palestinian Cinema: Landscape, Trauma, and Memory, Indiana University Press. ISBN:0-253-22007-6. Chapter 7: Between exile and Homeland: The Films of Elia Suleiman (p.:171 -189)
• Provan, Alexander (February 2007). "Requesting Permission to Narrate: Dreams of a Nation: On Palestinian Cinema". Stop Smiling. Archived from the original on October 22, 2007.

External links

• Elia Suleiman @ European Graduate School. Biography, bibliography, photos and videos.
• Elia Suleiman at IMDb